I know three truths about songwriting as a profession:
1. Your reputation hangs on a random and arbitrary handful of tunes that fate has decreed will become recordings and, God willing, hits.
2. You always feel that your best stuff never sees the light of day.
3. I forget the third.
Recently I had an opportunity, through the good graces of my friend Tim Hallinan, to expose Michael’s Song, an unrecorded opus which I always felt was one of my best, on his remarkable blog. It felt good. Thousands of people (well, twelve actually) wrote in to say they liked it. Good enough for me. I never required a huge audience, just an audience.
So I am initiating this device as a way of putting out songs that would otherwise go entirely unheard. Some will be solo efforts. Most will be co-writes with amazing songwriters whom I had the opportunity and privilege of working with. Some won’t be my tunes at all, but songs by other writers that I either produced or published.
Even though I’m in Nashville, don’t expect a lot of country. Some songs will be. Most won’t. One critic noted that I write without fingerprints. I think that’s true.
I will reveal a new song every few days. If anyone cares to respond or ask questions I will try to keep the garden hoed.
Some songs will be elaborately produced and some will just be scratch demos, done on the spot at the moment of creation. All will be accompanied by info concerning co-writers, musicians, inspirations and anything else I think is relevant to the song’s creation.
Th th that’s all folks.
MICHAEL’S SONG (Robb Royer). If you really want the whole story I’ll give you a link to Tim’s blog which you can read by clicking here. In short, it’s about the Choice that people with some creative talent have to make: do I embark on the uncertain and emotionally bruising roller coaster ride of the professional creative person, or do I man up, get a real job, and take care of the family?